When we last met, I was writing a novel synopsis, but not at the behest of an agent or publisher. I was 10 000 words into The Paradise Motel and in need of some scaffolding. The synopsis would be a living document. It needed to be strong enough to guide me, but malleable too. (If you haven’t read Plotting VS Pantsing, you might want to do so here as this post is its sequel 😳.)  Because I’d written a fair way in, I already knew my characters, what they sounded like, what they looked like.  I knew the town. But the plot was shaky. IfRead More →